The ‘here’ is everywhere, and the now always. Go beyond the ‘I-am-the-body’ idea and you will find that space and time are in you and not you in space and time. Once you have understood this, the main obstacle to realization is removed.
Sri Nisargadatta Maharaj  (via dakotabear)

(Source: lazyyogi, via wordswithoutpictures)

4mbivalent:

“I go to seek a great perhaps.” (by -theperfectmistake)
langste:

(by Laura Phabre)
rejouir:

i tan well… (by j u s t l i k e h o n e y)
meeohchan:

A man in Japan effectively used the solar eclipse to propose to his girlfriend.
This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.
Gary Provost (via beachhutsandpapercuts)

(Source: qmsd, via wordswithoutpictures)

"venez dans mon royaume,
je soigne les remords,
je chante la romance" - Edith P.

Melissa-Anne, 17. Europe.
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